A new Q&A with Manchester-based artist Mandy Cleveland, one of six artists commissioned this Summer. Mandy discusses new work that reflects on feelings of ‘personal and global’ uncertainty during Covid 19.
Beginningless Mind will be streamed online with interactive elements, from 1st September at 6pm BST, via Somerset House Studios. The three-fold audio-visual narrative will examine the ‘flowing process of interconnectedness’
Now available to watch online in full, Birds or Borders is a new animated video by Parham Ghalamdar. Alongside, read a new Q&A with the artist and UOS Curator Lindsay Taylor.
The first in a series of new GIFs by artist Sarah Eyre, responding to the “feeling of being on the cusp; of being suspended between different spaces and states…” during Covid 19
The final in our current series of micro-commissions. Painter Mollie Balshaw records themself painting in the studio – revealing the usually private ‘performance’ behind the work.
The fourth in a series of micro-commissions for artists living, working, or from Salford. Artist & art technician Richard Shields has illustrated an imagined exhibition of works from our art collection…
The University of Salford is delighted to announce Mandy Cleveland as the fifth of six artists selected for new commissions for the Collection
We’re pleased to be working with artist and researcher Anna Ridler on a new commission that combines art, nature and technology – and we’re calling for your photographs to help make this happen!
Following the Peer to Peer project curated by Lindsay Taylor in 2019, we are pleased to be commissioning artist Anna Ridler to make new work that uses artificial intelligence to explore the natural and human-made worlds around us.
The first of two blog posts with artist Jack Tan, discussing his new commission ‘Tale As Old As Time’. Jack talks with us about the tradition of ‘disaster ceramics’ , and key moments in Chinese civil rights history in the UK.
For the final in our series of new commissions this Summer, the University of Salford Art Collection has teamed up with AND Festival and Somerset House Studios to commission a new digital work by Marija Bozinovska Jones.
The third in a series of micro-commissions, inviting artists to respond to our Collection. Digital artist Pat Flynn has re-interpreted a body of his own work from 2015.
Co-commissioned by the Collection in 2017, the film is now screening online – with new reflections on the topics of the work in light of Covid 19.
The second of our Spring Salford micro-commissions. Photographer Heather Glazzard revisits a series of work that explores LGBTQ+ identity, class, politics, and creative practice.
In partnership with Castlefield Gallery, the University of Salford is delighted to announce Parham Ghalamdar as the fourth of six artists selected for new commissions for the Collection during COVID 19.
The final in a series of poems shared each week during Covid 19, from our Chancellor and Writer-in-residence Jackie Kay.
We are pleased to announce the third in a series of new commissions with our key industry partners, as part of a wider programme of support for artists during Covid 19.
The latest in a series of weekly poems shared by Chancellor and Writer-in-Residence Jackie Kay CBE
Following our virtual support sessions for artists applying to ACE Emergency Funding, we’re pleased to offer further bookable online studio visits for contemporary artists.
Sharing the first of our Spring micro-commissions, from Paradise Works member Katie Tomlinson. July 2020
Announcing the first in a series of new co-commissions for the Collection, during covid-19. North West based artists Kiara Mohamed and Sarah Eyre are commissioned in partnership with Open Eye Gallery, Liverpool.
The latest in a series of weekly poems. This week, we are sharing Jackie’s poem ‘Caravan in Avielochan’, which has been written to celebrate Gay Pride. Originally published in the collection BANTAM (2017).
The latest in a series of poems, shared weekly online during Covid 19.
We are pleased to announce the online launch of Everything I Have is Yours by Eileen Simpson and Ben White (Open Music Archive) –
an ambitious film and sound work that looks back to the first decade of the UK pop charts (1952-62).
Announcing the Graduate Scholars for the seventh year of our programme, in partnership with Castlefield Gallery and the School of Arts and Media,
The project supports final year students for one year after graduation, including mentoring, support, and studio space.
The latest in a series of weekly poems by University Chancellor Jackie Kay CBE, which reflect on life during lockdown.
This week, Jackie considers the many people who may be living alone during lockdown, and reflects on going back to our ‘old lives’.
The University of Salford was recently awarded funding for further research of the Albert Adams archive.
Dr Correia, Research Fellow in Art History, reflects on one of Adams’ later drawings (Celebration Head, 2003, pictured) in light of the Black Lives Matter movement.
Five artists have been selected to complete micro-commissions following an open call. The artists – all based in, or with strong connections to Salford – have each taken a different approach to the brief of creating new content in response to the University’s art collection.
This week, Jackie has shared her poem ‘The World Is A Village’, which analyses the paradox of never being more connected but also never being less connected to each other.
This week, we are sharing Jackie’s poem ‘Fiere’, which celebrates friendship across the entire course of a lifetime.
The latest in a series of poems, shared weekly by Chancellor Jackie Kay during COVID-19.
New poetry in response to the COVID 19 crisis, May 2020. This week, Jackie shares her poem ‘Jemini Peaches’.
New poetry in response to the COVID 19 crisis. This week, Jackie has shared the poem ‘Where’s My Keys?’, which is written in the voice of a woman in a care home who has dementia.
The first episode of Leviathan by Shezad Dawood, originally co-commissioned by the University of Salford Art Collection, is streaming online for one week only. May 2020
New poetry in response to the COVID 19 crisis. Jackie’s sixth poem ‘What Key Is It Robbie?’ is about finding comfort in music during these unprecedented times.
New poetry in response to the COVID 19 crisis. This week, Jackie has shared the poem ‘Mask’, to mark the lives of those we have lost during this pandemic.
New poetry in response to the COVID 19 crisis.
This week, Jackie has shared the poem ‘Ballachulish’, remembering a happy trip with her dad to the village of Ballachulish in Scotland.
Calling all artists living, working or with a strong connection to Salford: £200 micro-commissions available. Deadline: 10th May 2020.
New poetry in response to the COVID 19 crisis.
Jackie’s third poem ‘New Era’ reflects on the difficulty of being away from our families and loved ones for an extended period of time.
The Art Collection team are working remotely, developing both short term and long term plans for our work. We remain committed to supporting artists and building a Collection that tells a story of now through three collecting strands: · Chinese Contemporary Art;· About the Digital;· From the North. We are continuing to work with all […]
Update – Virtual support sessions offered during April, for artists in Salford & GM applying for ACE Emergency Funding Streams,
The second in a series of poems by Chancellor Jackie Kay, in response to the Covid-19 crisis.
Jackie’s second poem ‘Clap the Carers’ is about saying thanks and showing our appreciation for those who are working tirelessly on the frontline during this pandemic to care for others.
A message and poem by Chancellor and Writer-in-Residence Professor Jackie Kay CBE, in response to the COVID-19 crisis.
Annual scheme for University of Salford graduates now open for applications – deadline Sunday 3rd May 2020.
British music photography from the 1950s and 1960s, from the Open Eye Gallery archive in Liverpool and the University of Salford Art Collection. Plus work by current students.
Our recently commissioned work by Gordon Cheung is currently premiering as part of Cheung’s solo exhibition Tears of Paradise at Edel Assanti, London.
Filmmaker Antony Barkworth-Knight reflects on the rain and upcoming short film Homage to the Rain.
A reflection on PHOTOFAIR Shanghai 2019.
Poems by Charlotte Robson in response to Window (Day 2): Room 118, Titanic Hotel, Stanley Dock, Regent Road, Liverpool (2017) by Luke Ching.
2018/19 Graduate Scholar Sadé Mica’s reflection on the Scholarship Programme.
Amy Greener reflects on her work experience with the Art Collection.
2018/19 Graduate Scholar reflects on the scholarship programme and his time at the Venice Biennial.
BA Fine Art student Richard Benbow, reflects on the work he produced for Acquired: a century of collecting.
Assistant Curator Stephanie Fletcher reflects on her participation in Prof Beryl Graham’s one-week intensive course Curating after New Media.
Art Curator Lindsay Taylor discusses her recent research trip to Japan.
Poem written by Dr Scott Thurston in response to Cao Fei’s film La Town
Danny Morrell in conversation with artist Mishka Henner.
Review by Art Curator Lindsay Taylor.
Danny Morrell explores the work of French Impressionist Adolphe Valette.
Danny Morrell contemplates the work of expressionist artist Albert Adams.
Danny Morrell contemplates L.S. Lowry’s painting Narcia fitting out at the Tyne from our Art Collection.
Supporting our creative graduates.