Castlefield Gallery Manchester, Grundy Art Gallery Blackpool, Touchstones Rochdale, University of Salford Art Collection and Shezad Dawood Studio are working in partnership on a pilot project that they believe will make a difference to the way that they operate. Hybrid Futures will explore collective and more sustainable ways of working that will influence how the partnership commissions, exhibits and collects new work by visual artists to benefit and be more relevant to their audiences, now and in the future.
A series of exhibitions across the North West of England will feature new work and commissions by artists Shezad Dawood, Jessica El Mal, Parham Ghalamdar and RA Walden that address the urgent thematic focus of climate change.
The partnership will also be working with a group of people from their local communities with a shared concern about the climate crisis. This group called Collective Futures will investigate how creative production can help to shine a light on these issues and create solutions to the problems caused by the changing global environment.
To find out more about Hybrid Futures, and explore the artists, partners, and venues involved, visit the Hybrid Futures website: hybrid-futures.salford.ac.uk
Coming Soon: Hybrid Futures at Touchstones, Rochdale
The first public instalment of Hybrid Futures, Shezad Dawood: Leviathan: From the Forst to the Sea, launches this week from Saturday 3rd June at Touchstones, Rochdale.
Shezad Dawood’s exhibition premieres the latest episode of his epic film series Leviathan Cycle, titled Episode 8: Cris, Sandra, Papa & Yasmine, alongside related textiles, paintings and research material. Set in the Brazilian Atlantic Forest – one of the most ecologically diverse and threatened biomes on earth, Episode 8 charts an embodied, spiritual and ecological journey along the age-old Guarani path that links the forest to the sea.
Read more about Hybrid Futures at Touchstones, here.
You’re invited to join Touchstones on Friday 2nd June from 6pm to celebrate the exhibition opening. To RSVP, email culture@yourtrustrochdale.co.uk Please note, RSVP is ESSENTIAL in order to manage capacity. Without RSVP, you may not be guaranteed entry to the exhibition.
Hybrid Futures, a multi-part collaboration focusing on climate, sustainability, collaborative learning and co-production between Castlefield Gallery, Manchester, Grundy Art Gallery, Blackpool, Touchstones Rochdale, University of Salford Art Collection and Shezad Dawood Studio, and generously supported by Arts Council England and Art Fund.
For March, we asked Marta Strzelecka, Sustainability Engagement Officer at the University to select our artwork of the month in honour of Go Green Salford, the University’s annual programme of activity promoting and celebrating sustainable work happening across campus. Go Green Saloford invites students, colleagues and local community members to get involved throughout the month in making Salford a more sustainable place to live.
Marta has chosen Market Scene (1972) by Colin T Johnson.
Colin T Johnson, Market Scene, 1972, Painting. Courtesy the artist. Photography by Museums Photography North West.
On Market Scene, Marta says:
I selected Colin T Johnson’s Market Scene because the first thing that came to my mind when I saw it was: community. I believe that connecting with other people, exchanging ideas and opinions, and providing and receiving support, is vital to achieving social and environmental sustainability, as well as our wellbeing. Recently, the power of these became evident during the Covid-19 pandemic, when community-based actions and initiatives became lifelines for many. Markets have always provided an opportunity for all of these things: a platform to come together, purchase locally made goods and produce, catch up with neighbours and friends, and spend time outdoors. I believe that empowering and supporting community-led action is essential in building a sustainable, just and inclusive society, where local citizens are at the core in the process of identifying and solving local challenges. The colours and the general feel of the painting also remind me of a Sunday morning which, from my childhood memories, is the best time for a trip to the markets, spending time with family, and preparing for the week ahead.
Marta and the Enviromental Sustainability team’s work continues throughout the year and there are always ways you can get involved. Click here to find out more about.
Colin T Johnson (1942-2017) was a prolific artist born in Blackpool. He went on to study at Salford School of Art, 1957–9, then Manchester College of Art, 1959–60, before later moving to St. Ives. Among Johnson’s many activities, he was director of the first Bolton Festival, 1979, he was artist-in-residence at Manchester Festival, 1980, and at Wigan International Jazz Festival, 1986–7.
Artist-in-residence Gwen Riley-Jones has been working with the University of Salford Art Collection since 2021, using the Collection as a starting point to engage with young people about what matters most to them.
As part of the LOOK Photo Biennial 2022: Climate at the University of Salford, a digital showcase of three series of images created in collaboration with young people and communities across Salford is on display in the New Adelphi Building Atrium. These include:
Planting for the Planet – images of chlorophyll prints exhibited for the first time;
Salford LGBTQ+ Youth Groups – images created during photography workshops on the day of Salford Pride during Youth Week August 2022,
Salford Youth Council x Tindall Street Allotments – images created when Youth Council teamed up with an allotment run by and for military veterans.
Planting for the Planet was produced collaboratively with youth environment group Action for Conservation, in partnership with RHS Garden Bridgewater. Together they explored how art and creativity can help communicate issues around climate change.
Image: Daniel, Planting for the Planet
Using socially-engaged photography practice and sustainable plant-based printing methods, the group produced a series of images originally shown at RHS Garden Bridgewater in Summer. The photographs on display were taken by group members exploring their own relationships to natural environments; including green tinted portrait images made using spinach juice instead of ink, on recycled paper.
Alongside the digital showcase in New Adelphi, there is a physical display of the spinach prints (anthotypes) alongside a series of chlorophyll prints; a method of creating a photographic print within a leaf using naturally occurring light-sensitive pigments.
Gwen adds: “During my residency I have also been working with groups of young people in partnership with Salford Youth Service, together we have explored wellbeing and ways of using photography and nature to connect and feel better.
Image: LGBTQ+ Youth Groups Salford
The digital showcase presents a series of images created by members of Salford’s LGBTQ+ Youth Groups during a photography workshop as part of Salford Pride celebrations in August 2022. I met many enthusiastic and talented photographers during the workshops, and we are discussing ways we can work together again in the future.
As part of my ongoing collaboration with Salford Youth Council there is a selection of images included in the digital display created when the group helped out at Tindall Street Allotments, during the summer holidays. The allotment is run by Vinny Nield and a group of Military Veterans. Vinny and the team shared their knowledge of plants and growing with the group, as well as getting them involved in the practical aspects of running an allotment. The group created photographs to explore this environment and the positive effects on both mental and physical health.”
Image: Hayden, Salford Youth Council
Additionally, there is a second physical display of the ‘Photowalk for Wellbeing’ created in collaboration with Salford Youth Council. The photowalk activity is for anyone who wants to take some time out to take ‘notice, connect and feel better’.
The group created the prompts by responding to photographs they had taken in and around Salford. They created an accessible design, taking into account the needs of people with dyslexia.
Image: Salford Youth Council creating the Photowalk for Wellbeing, Gwen Riley Jones
Image: Example prompt card from the Photowalk for Wellbeing
The cards are displayed in an open vitrine for you to pick up and take on your own Photowalk for Wellbeing, alone or with friends. Share with us by tagging us in the images @uos_artcollection@salfordyouthcouncil@gwenrileyjones
Gwen will also be hosting a guided Photowalk for Wellbeing on Thursday 10th November 2.00-3.00pm, starting in the New Adelphi Building Atrium.
To book tickets for the Photowalk or the launch event on 3rd November, and for more information on the other exhibitions on display click here.
Rediscovering Salford has been a city-wide programme of events, highlighting and celebrating Salford’s green spaces. The programme was inspired by the launch of RHS Bridgewater gardens in May 2021. Over 2020-2022, Rediscovering Salford animated the city with new commissions, exhibitions, workshops and events. To close the project, we gathered together to share and celebrate the project across Salford Museum and Art Gallery, the University of Salford campus and Peel Park.
Salford Rediscovered was a celebration of music, films, tours, performances, workshops and a one-time-only appearance of Madam Mort, as created by drag artist Cheddar Gorgeous. A party for anyone and everyone in Salford to enjoy.
Anthotype workshops
During the event, I held two Anthotype workshops, based at the IGNITION Living Lab in the heart of the University of Salford Campus. I discovered this historic process when collaborating with the IGNITION project and RHS Communities exploring nature-based solutions to climate change. You can read more about my work making anthotypes with the Youth group from Action for Conservation back at Easter here.
Anthotypes are photographic prints made using plants, in these workshops we used spinach. The spinach is blended down to create a light-sensitive emulsion which is applied to paper in several layers. Once the paper is dry, photographic transparencies, or other objects can be placed on the paper. Next, secure everything in a frame and set out in the sun. No chemicals or harmful substances are used in this process, making it safe, sustainable and climate friendly.
Workshop participant closing the frame of their anthotype ready to put it in the sun
Anthotypes exposing in the sunshine on a stand
Once in the sun, the sunlight fades the areas of paper not protected. Where the photograph/object blocks the sunlight, we maintain a rich green colour. When we open the frame, we find a photographic print.
However, this print is not fixed, exposure to sunlight will make the print disappear – reminding us to continually try to reduce impact we have on the planet by choosing sustainable ways to live. It is also a reminder of the power and danger of the sun. We each have a responsibility to change our behaviours to reduce the effects of climate change.
Anthotype exposing in the sunshine, you can see the green starting to bleach
Bleached anthotype with flowers and leaves still on the page
The leaves and flowers that were used to create the anthotype
Finished anthotype by Teddy with bleached paper and the shapes of the leaves and flowers revealed in green
Over 50 people took part, across 2 workshops, and the groups created 30 anthotypes. We used leaves, flower petals, and images from the University of Salford Art Collection, and the Planting for the Planetexhibition showcasing the work created by the young people I worked with from Action for Conservation, currently on display at RHS Bridgewater until 27 August 2022.
Anthotype by Amelia of original image by Sarah Hardacre
Anthotype by Megan of original image of Angelica by Olivia
Anthotype created by Dan of original image of Tamar by Mariam
Anthotype created by Steve using original image by Craig Easton
Anthotype created by Deb of original image by Sarah Hardacre
Feedback
The best thing about the event, for me, was the range of people taking part and enjoying the process – aged below 10 to over the age of 70. And the feedback from the participants:
‘I love it! Definitely abandoning chemicals for now and trying this instead…’
‘I really enjoyed my dabble. Have had a session with the Grandkids. A) they read how to do sun pics B) they told me what they needed paper etc C) a very enjoyable wander down the canal collecting wild stuff.
So thanks, it kept 4 of them ranging from 6-16 occupied all of one day and half of the next with a walk. Result 😍’
‘Thanks for this, looks great. Interesting that some light came through the leaves. Need to get some spinach and have a go. What sort of paper would you advise using?’
‘I enjoyed it. I am definitely going to try out some stuff myself at home’
How to make anthotypes at home
So for any of you who would like to have a go at plant-based photography at home – here’s how to do it:
What you’ll need:
300g of spinach
A hand blender
2 x plastic jug
1 x funnel
Coffee filter papers
A sponge brush
Acid-free watercolour or cartridge paper
A clip frame
Some leaves, flowers or petals – or any other object you wish to use
Or a photographic transparency – you can create your own using digital transfer film and a home inkjet printer
Method:
Step 1: Put the spinach leaves in a large plastic just and blend with a hand blender until you create a smooth liquid
Step 2: Line the funnel with a coffee filter paper and place on the second jug. Put the spinach liquid in to the second jug and leave to drip (aprox. 30 mins)
Step 3: Take your filtered spinach liquid and coat your paper. Allow to dry between each coat – either naturally or by carefully using a hairdryer. Coat the paper 3-4 times.
Step 4: Assemble leaves, petals, photographic transparencies or any other flat objects you choose on the paper.
Step 5: Secure the paper and the objects in a clip frame and leave out in direct sunlight, ideally outside, but inside a window will also work.
Step 6: Wait. Depending on how much sun you have the images could develop in a matter of hours, or over a few days. Your image is ready when the uncovered areas of the paper – that you can see, have faded to near white.
Step 7: Open your frame and reveal your print.
Note: the print will fade if exposed to direct sunlight.
Need inspiration?
Before making your own, you can visit the Planting for the Planet exhibition at RHS Bridgewater until August 27th, where you can see the anthotypes created by the young people from Action for Conservation on display alongside a collage of photographs, ‘Our City, Our Nature’ and contributions from communities on taking climate action by greening Greater Manchester. The exhibition demonstrates the importance of plants and nature in creating resilient, healthy and beautiful spaces for people and the planet to coexist.
Gwen Riley Jones is Socially Engaged Photographer in Residence at the University of Salford Art Collection in partnership with Open Eye Gallery, Liverpool.
Salford Rediscovered was led by the Salford Culture and Place Partnership, the University of Salford, Solid Ground, Salford City Council, Salford Museum and Art Gallery, and RHS Garden Bridgewater. Rediscovering Salford has created fantastic engagement and original commissions with Islington Mill, Paradise Works, START Creative, The Lowry and Walk the Plank. This programme is generously supported using public funding by the National Lottery through Arts Council England, as well as contributions from all the project partners.
