Posts tagged: Artist in Residence

Experiencing ‘From The River’s Mouth’

In May 2025 our Artist in Residence at the University of Salford Acoustic Labs, Hayley Suviste, presented a 3-part installation as part of Sounds From The Other City. Artist Lizzie King shares her experience of From The River’s Mouth below.


A growing amount of rivers have been granted the legal status of personhood, a legal right to flow, a way for rivers to be protected and a way for them to be honoured.  In her installation “From the River’s Mouth’ Hayley Suviste gives the audience a unique way to connect with the River Irwell meeting it at its Salford stretch.  The Irwell is a life source that runs 63 km. Many sound artists have previously explored rivers through their horizontal journey, however Suviste gives us the opportunity to experience the Irwell through a series of vertical interactions.  As the work progresses down the layers of the Irwell we encounter the perspectives of past, present, and future. 

‘From the River’s Mouth,’ makes use of three sonically distinct rooms to explore three different parts of the Irwell’s being and of its timeline. 


Anechoic Chamber
Photographed by William Rowe

We, the audience, are guided into a dark room lit with one blue light and a bouncy floor, the anechoic chamber.  Silence. You feel yourself swaying with the movement of other people until everyone goes still. 

It feels like being in the centre of rushing whirlpool, the sounds move around you gushing and gurgling.   Distant sounds of ducks pitter in the background. The gushing dissipates into trickles, a pleasant tonal sound appears feeling like it is coming from a distance.  The river’s life dances around the audience.  The gurgling and murmurs transport me under the water, I want to sit and drink it in.  It lulls the audience bringing a tranquility and a feeling that is almost tactile of having met the Irwell. As I am wishing to drift off with the river 4 minutes is up, the door opens, the sounds stop, we leave for the next room.


The Listening Room
Photographed by William Rowe

The next room we sit in is the listening room.  Filled with sofas, bean bags, and 124 speakers, we take a comfortable seat.  Projected onto a large screen in front are two videos side by side.  One shows us the most vivid blue colours running in the water and the other the pungent orange of the sediment from the bank.  We are introduced to a series of fixed frame videos showing different scenes from the river bank. The sound of the river is different this time we are alongside it, hearing noises all around us as if we were sat by the Irwell itself. We see and hear the geese who inhabit this stretch alongside the vivid colours and textures which really are worth celebrating.  This time the Irwell bables and tinkles it has a gentler quality now that we are aside it rather than inside it, a loop of synthesised melodies accompany the waters flow.  Two different angles of a red balloon caught on branches.   The sound of Reggie being called in the distance, a runaway dog.  It is an experience that we are more familiar with but one that our attention may not often focus on.  A woman singing a folk song drifts in from the left, again we are lulled as tonal loops intermingle with the river’s tinkling.  Until the film comes to an end I like other audience members are reluctant to get up from our seats.


We step over and into the next darkened room, the reverberation room, where we sit in a semi-circle.  Facing us is a bowl which is lit up from three different angles projecting the water onto the floor in petal like sections.  The rush of a full river gulps in towards us in deep bass tones.  These rumblings make the water dance creating cymatic patterns which are projected in segments onto the floor dancing and swirling around.  They are completely captivating as the sounds again surround us from different points in the room; it is reminiscent of walking along the river and standing under the bridge watching the water’s reflections bounce and flitter on the concrete structure above.  A clarinet echoes the folk song from the previous room and we hear the familiar sounds that played in the last room start to trickle out.   Though deep and bassy in a room that reverberates, the sound feels light and free. The whirling and twirling of the water’s reflections leave us captivated till the final moment.

Close-up in the Reverberation Chamber
Photographed by William Rowe

Hayley Suviste has been resident at the University of Salford Acoustic laboratory carrying out a commission to look at the environment.  Suviste a composer and sound artist has placed the audience in a series of situations which leave you questioning your own relationship to the river.  Many of these left the audience in a sense of calm or entrancement, do we spend this same time at the River Irwell?  As this series looks at a sense of passing of time in the rivers life it also questions what the river’s life should look like and what part do our lives play in that? 

This performance took place multiple times on 4th May, 2025 as part of Sounds of the City Festival.  In the midst of a pulsating, hectic, jubilant atmosphere there was this pocket of quiet, of calm, and of contemplation.  In the midst of a party Suviste opened up a type of gulf in which we were able to connect with who we are and who the River Irwell is.



Emily Speed announced as second Artist in Residence at Energy House 2.0

The University of Salford Art Collection, in partnership with Castlefield Gallery, is delighted to announce that the second of two artist residencies at Energy House 2.0 has been awarded to Emily Speed.

Cheshire-based Speed joins artist Mishka Henner, who was announced as the first artist-in-residence at the University’s world-leading research facility earlier this year, with the University of Salford Art Collection in partnership with Open Eye Gallery.

Speed was selected from an open call in early 2023 which received over 70 expressions of interest. As artist in residence, Speed will work closely with the Energy House 2.0 team over the next 18 months to develop new work in response to the groundbreaking research being carried out, around topics of energy efficiency, the climate crisis, net zero research, and the future of housing and homes.

Innards, 2018, working fountain at Knole House for ‘A Woman’s Place’ curated by Day & Gluckman, courtesy the artist.
Flatland, 2021, commissioned by Tate Liverpool for the Art North West award, photograph by Lucy Dawkins

Ideas around shelter and habitation lie at the core of much of Speed’s work, which spans disciplines from drawing to installation and performance. With two large environmentally-controllable chambers – able to accommodate two full-sized detached houses each and capable of simulating wind, rain, snow, solar radiation and extreme temperatures – the world-leading Energy House 2.0 facility, part-funded by the European Research Development Fund (ERDF), provides a unique opportunity to explore these themes and the future of housing.

On being selected for the residency, Speed says:

“I feel incredibly fortunate to have time and access to this fantastic facility and to be able to work alongside experts to develop research into the home, and how we might live in the future.”

Professor Richard Fitton, Energy House:

“Our artist in residence programme has grown from strength to strength in the past few years, and we are now on our 3rd residency, this scheme aims to take some of the building science work done at Energy House 2.0 and create ground breaking artworks – we see this as a positive impact to the work we do, engaging the public in ways that we simply could not have done beforehand.  The quality of bids that we saw was amazing and Emily has some tough competition.  We are now really eager to get Emily involved as part of the teams and see what she will achieve.”

Lindsay Taylor, Curator, University of Salford Art Collection:

“We were delighted to receive so many high quality applications by some fantastic artists.  It was very hard to agree a shortlist and a finalist, however the panel all agreed that Emily’s interest in gender, the body and the domestic environment would bring a unique perspective to the work at Energy House 2.0”


Both residencies have been made possible through funding from the Friends of Energy House 2.0 Community: https://energyhouse2.salford.ac.uk/friends-of-energy-house-2-0/ 


Emily Speed

Known for her work examining the relationship between the body and architecture, Speed’s practice considers how a person is shaped by the buildings they have occupied and how a person occupies their own psychological space. Working in sculpture, performance, drawing and film, Speed’s work looks at the relationship between people and buildings and in particular the power dynamics at play in built space. Her work plays with scale and creates layers around the body, often hybrid forms of clothing and architecture. 

Over the last few years, Speed has had solo presentations at Tate Liverpool, Tate St Ives, TRUCK, Calgary, and Fort Worth Contemporary Arts, Texas. She has been commissioned to make performances for Yorkshire Sculpture Park, Laumeier Sculpture Park (St Louis) and Edinburgh Art Festival among others and recent exhibitions include: A Woman’s Place at Knole House; Body Builders at Exeter Phoenix Gallery; and The Happenstance, Scotland + Venice at the Architecture Biennale in 2018. Emily Speed lives and works in Cheshire, UK.

emilyspeed.co.uk

Energy House 2.0 

Launched in February 2022, Energy House 2.0 is a unique research facility, with two environmental chambers each able to accommodate two full sized detached houses. The research team can recreate a variety of environmental conditions – from extreme temperatures (-20˚C to +40˚C) to simulate wind, rain, snow, and solar radiation – in order to test out the latest innovations in the built environment. The £16m facility, part-funded by the European Research Development Fund (ERDF), is the largest facility of its type and plays a key role in accelerating progress towards low carbon and net zero housing design building upon the success of the original Energy House Laboratory which opened in 2012.    

energyhouse2.com 

Castlefield Gallery 

Castlefield Gallery is a contemporary art gallery and artist development organisation. Established in 1984, they’ve led the way in artist development for almost 40 years. They provide creative and career development, exhibition opportunities and commissions for artists and independents. Working from galleries in Manchester, off-site, online and in the public realm, they create long-lasting impacts in the Manchester city region, North West of England and beyond. Their national and international activities focus on artist exchange. Castlefield Gallery’s public and participation programmes provoke new ways of thinking, bringing together artists, creatives, communities and audiences to explore the art and issues of the time. They believe when artists and communities come together, they can help shape a better world. 

They support more than 250 Castlefield Gallery Associates and a host of creatives through person-centred development programmes. Castlefield Gallery New Art Spaces provide affordable making and project space in the North West, including on the high street. They are a home for artists and creatives. They are advocates for what they believe in: the power of new art. They make new art happen. 

Ryan Gander OBE is Castlefield Gallery’s Artist Patron. Castlefield are a registered charity, supported by Arts Council England and Manchester City Council. 

castlefieldgallery.co.uk 

Open Eye Gallery 

Open Eye Gallery is a photography organisation based in Liverpool, UK, working worldwide. They produce exhibitions, long-term collaborative projects, publications, festivals, and university courses — locally 
and worldwide. They welcome over 85,000 visitors to the gallery every year, over 200,000 to projects in other venues, and many more to the online spaces. They proactively take risks to spark crucial conversations and enable creative expression. 
Open Eye Gallery takes a lead on socially engaged photography nationally. Bringing different voices, photographers and communities together, they establish projects where the collaborative process is just as important as the final product. 
openeye.org.uk 


Mishka Henner appointed as first artist-in-residence at Energy House 2.0

The University of Salford Art Collection is delighted to announce Mishka Henner as the first artist-in-residence with Energy House 2.0, in partnership with Open Eye Gallery and Castlefield Gallery. 

Manchester-based, internationally renowned artist Henner will spend 18 months at the new state of the art research facility, developing new work on themes of the climate crisis, net zero research, and the future of housing.  He will work alongside leading scientists, specialists, researchers and industry partners as well the wider university community; considering ‘the different ways we can see energy, and how climate catastrophe haunts our present condition’. 

With two full-sized detached houses inside a large environmentally-controllable chamber – capable of simulating wind, rain, snow, solar radiation and extreme temperatures – the unique Energy House 2.0 facility, part-funded by the European Research Development Fund (ERDF), is a world-leading research hub, testing the latest in carbon-reducing technology.  Launched in January 2022, it is currently testing full size houses by national housebuilders Bellway Homes and Barratt Developments, with construction solutions manufacturer Saint-Gobain. 

This residency builds on the success of a pilot residency programme at Energy House 1, in collaboration with Open Eye Gallery which saw photography duo McCoy Wynne create a series of photographs which have since been toured to galleries in the North West. 
 

API 4303716180 | Ismay, UT, Mishka Henner, courtesy the artist 

Professor Richard Fitton, Energy House:  

“Following our recent completion of the McCoy Wynne project we could not wait to get started on a new project with the Art Collection team. Following a very competitive process we are excited to welcome a local, but world renowned artist, Mishka Henner for an 18 month placement.  We are looking to Mishka to provide some world leading and provocative new work.” 

 
Mishka Henner, artist: 

 “Energy House 2.0 is a unique monument to human ingenuity in the face of climate catastrophe. As an artist, I’m thrilled to have the opportunity of working closely with scientists and engineers to reflect on how we approach one of the great challenges of our time.” 
 

Lindsay Taylor, Curator, University of Salford Art Collection: 
 
“We are thrilled to have Mishka join our team. We see this as an opportunity to support Mishka’s artistic development whilst engaging the university community in debate around climate change.  This is our third collaborative residency with Open Eye Gallery.” 
 

Mishka Henner, born in Brussels in 1976, lives in Manchester and works internationally. He produces books, films, photographic and sculptural works that reflect on cultural and industrial infrastructures – with a focus on the digital terrain and subjects of cultural and geo-political interest.  His work has been exhibited at the Museum of Modern Art, the Metropolitan Museum of Art, New York, Centre Pompidou, Paris and the Victoria & Albert Museum, London. 

Mishka was selected from an open call in Winter 2022. The residency, in partnership with Open Eye Gallery and Castlefield Gallery, will be showcased at LOOK Photo Biennial in Liverpool in 2024, Castlefield Gallery in 2025, and on campus at a future date. 


A second residency opportunity is now open for applications by 9am on 24th April – open to artists working in any media except photography. Click here for full details. 


The Energy House 2.0 Artist Residencies are hosted in partnership with Open Eye Gallery, Liverpool and Castlefield Gallery, Manchester.

Both residencies have been made possible through funding from the Friends of Energy House 2.0 Community: energyhouse2.salford.ac.uk/friends-of-energy-house-2-0/ 

 


Mishka Henner 

Mishka is a visual artist born in Brussels in 1976 and living in Manchester, UK. His varied practice navigates through the digital terrain to focus on key subjects of cultural and geo-political interest. He produces books, installations, films, photographic, and sculptural works that reflect on cultural and industrial infrastructures in a process involving extensive documentary research combined with the meticulous reconstruction of imagery from materials often sourced online. This material has included satellite imagery, intellectual property patents, text databases, generative adversarial networks, webcams, and sound archives amongst others. His works have featured at MoMA, New York, the Centre Pompidou, Paris, and the Photographers’ Gallery, London, and are in the collection of the National Gallery of Art, Washington D.C., Arts Council England Collection, and The North Atlantic Treaty Organisation (NATO), amongst others.  

mishkahenner.com

Energy House 2.0 

Launched in February 2022, Energy House 2.0 is a unique research facility, with two environmental chambers each able to accommodate two full sized detached houses. The research team can recreate a variety of environmental conditions – from extreme temperatures (-20˚C to +40˚C) to simulate wind, rain, snow, and solar radiation – in order to test out the latest innovations in the built environment. The £16m facility, part-funded by the European Research Development Fund (ERDF), is the largest facility of its type and plays a key role in accelerating progress towards low carbon and net zero housing design building upon the success of the original Energy House Laboratory which opened in 2012.    

energyhouse2.com 

Open Eye Gallery 

Open Eye Gallery is a photography organisation based in Liverpool, UK, working worldwide. They produce exhibitions, long-term collaborative projects, publications, festivals, and university courses — locally 
and worldwide. They welcome over 85,000 visitors to the gallery every year, over 200,000 to projects in other venues, and many more to the online spaces. They proactively take risks to spark crucial conversations and enable creative expression. 
Open Eye Gallery takes a lead on socially engaged photography nationally. Bringing different voices, photographers and communities together, they establish projects where the collaborative process is just as important as the final product. 
openeye.org.uk 

Castlefield Gallery 

Castlefield Gallery is a contemporary art gallery and artist development organisation. Established in 1984, they’ve led the way in artist development for almost 40 years. They provide creative and career development, exhibition opportunities and commissions for artists and independents. Working from galleries in Manchester, off-site, online and in the public realm, they create long-lasting impacts in the Manchester city region, North West of England and beyond. Their national and international activities focus on artist exchange. Castlefield Gallery’s public and participation programmes provoke new ways of thinking, bringing together artists, creatives, communities and audiences to explore the art and issues of the time. They believe when artists and communities come together, they can help shape a better world. 

They support more than 250 Castlefield Gallery Associates and a host of creatives through person-centred development programmes. Castlefield Gallery New Art Spaces provide affordable making and project space in the North West, including on the high street. They are a home for artists and creatives. They are advocates for what they believe in: the power of new art. They make new art happen. 

Ryan Gander OBE is Castlefield Gallery’s Artist Patron. Castlefield are a registered charity, supported by Arts Council England and Manchester City Council. 

castlefieldgallery.co.uk 


Announcing: Second ENERGY HOUSE 2.0 Artist Residency Open Call

A unique 18-month opportunity to make and exhibit new work in response to the climate crisis, net zero research, and the future of housing at the world-leading Energy House 2.0 facilities in Salford. A selection of new work made will also be acquired by the University of Salford Art Collection. 

University of Salford Art Collection is now inviting applications for the second residency in collaboration with Castlefield Gallery, Manchester. This residency is open to all artists working in the field of visual arts and will run from July 2023 until December 2024.   

The first residency, in collaboration with Open Eye Gallery, Liverpool was open to photography based artists and was awarded to Mishka Henner, taking place from Jan 2023 to June 2024.    

About the residency: 

For the second Energy House residency with Castlefield Gallery we are inviting expressions of interest from visual artists, based in the North of England, who work in any medium except photography. It is anticipated that the successful artist will have the opportunity to work with scientists, technicians and other specialist staff to make new work which explores positive solutions to the climate crisis net zero research and future of housing. 

We are open to a range of practices and approaches, and will work closely with the selected artist to develop the project over 18 months. We are looking for creative / innovative responses and a demonstratable interest in/commitment to the residency themes. 

About Energy House 2.0: 

Launched in February 2022, Energy House 2.0 is a unique research facility, with two environmental chambers each able to accommodate two full sized detached houses. The research team can recreate a variety of environmental conditions – from extreme temperatures (-20˚C to +40˚C) to simulate wind, rain, snow, and solar radiation – in order to test out the latest innovations in the built environment. The £16m facility, part-funded by the European Research Development Fund (ERDF), is the largest facility of its type and plays a key role in accelerating progress towards low carbon and net zero housing design building upon the success of the original Energy House Laboratory which opened in 2012.   

The residency will include access to the Energy House 2.0 facilities and the following live research projects: 

  • EHome 2 a research project run by Saint-Gobain UK and Ireland, in partnership with Barratt Developments, to create a blueprint for future homes.  
  • Future Home an experimental eco house built by Bellway a housebuilding company.  

This residency builds on our pilot residency Are You Living Comfortably? by McCoy Wynne which was presented in Liverpool in Jan 2022, and in New Adelphi Exhibition Gallery in Oct-Dec 2022 as part of the Salford LOOK 22 Hub. 

A vibrant image shows the Energy House 2.0 building illuminated at night.
Energy House 2.0, courtesy McCoy Wynne.

Expectations/Outputs: 

There will be opportunities to present work, or work in progress, as follows: 

Open Eye Gallery: LOOK Photo Biennial – Labs – Liverpool Jan/Feb 2024 

Open Eye Gallery: LOOK Photo Biennial – venue TBC – summer 2024 

Castlefield Gallery, Manchester – spring 2025 

New Adelphi Exhibition Gallery, Salford – TBC 

Budget:  

There is an artist fee of £20,000 per residency, to include VAT (if payable) all expenses, materials, production of new work and exhibition and acquisition. Payment is made on a freelance / self-employed basis. 

There is a modest additional budget for engagement and communication across the project. 

It is anticipated that each residency will last around 18 months.  

We will agree an appropriate schedule of work with the selected artists, however the fee is based on an expectation of averaging about one day a week.   

Resources: 

The selected artist will be supported by the Art Collection team and curatorial staff from both Castlefield Gallery and Open Eye Gallery. 

They will also have access to other academic staff expertise and facilities across the University – from the Maker Space to the Library. 

We will encourage the artist to connect with the first artist in residence, Mishka Henner. 

Accessibility: 

Please let us know if you have any access requirements that we can help you with during the application process. We will work with the selected artist to support accessibility requirements or reasonable adjustments during the project. Access needs will be discussed after interview stage. 

To express interest, please supply: 

 
– A short statement explaining your interest in this opportunity and what you might like 
to achieve (no more than 500 words) 
– Your CV/ link to your biography 
– Up to four images that might support your application 

Please send your application in standard file formats (e.g Word, PDF and JPEG). Please do not send very large files or Wetransfer/Dropbox/etc as these may not reach our inbox. 

CLOSING DATE: Monday 17th April, 9am 

EXTENDED CLOSING DATE: Monday 24th April, 9am

Interviews:

will be held on Thursday 27th April in person at the University of Salford.  We will endeavour to let all applicants know whether or not they have been shortlisted by Friday 21st April. 

In line with the extended closing date, interviews will now be held on Wednesday 17th May in person at the University of Salford. We will endeavour to let all applicants know whether or not they have been shortlisted by Wednesday 10th May.

Please send your application with the subject line “Energy 2.0 Residency Application” to: r.t.pritchard(at)salford.ac.uk by 9am on Monday 24th April. 

For further information please contact: Rowan Pritchard as above. 


This project has been made possible through funding from the Friends of Energy House 2.0 community: https://energyhouse2.salford.ac.uk/friends-of-energy-house-2-0/