Beedles’ wider practice as a sound and visual artist explores club, techno and electroacoustic music, with an interest in both experimental and ambient soundscapes. His current focus is on generative systems for live performances, providing audiences with compelling and immersive audio-reactive imagery. His work has featured in gallery, venue and club contexts internationally, and he has held residencies in Chongqing, China (2017), Wysing Arts Centre, UK (2019), and in Johannesburg, South Africa & Maputo, Mozambique with the British Council (2019).
Image: Courtesy of Jules Lister
Beedles’ audiovisual work combines music and digital video with generative technologies, to create abstracted works that explore time, memory, and the ‘threshold between the real and the simulated’. This work explores the idea of ‘compressed memory’ – a term that might equally apply to digital or human memory retrieval, considering how recollections can blur and distort over time.
The artist uses a custom made patch (a piece of coding) which selects from a bank of audio tracks made by the artist, ranging from his first musical recordings through to his most recent compositions: ‘Soundbites suddenly burst to the foreground like a forgotten memory, before receding again into the distance’ Accompanying the sounds, an abstract visual is triggered simultaneously and ‘undergoes a similar process of obfuscation’.
